Francesco Mancini


Francesco Mancini

(b. 16th Jan 1672 d. 22nd Sept 1737) belongs to a generation of composers including Fago and Sarro who established themselves during Alessandro Scarlatti's absence from Naples between 1702 and 1708.
An important teacher, Mancini was Director of the Conservatorio di S Maria di Loreto as well as being first organist and maestro of the Capella Reale in Scarlatti's absence. Upon Scarlatti's return to Naples, Mancini worked as his deputy, only resuming his previous positions on the older composer's death in 1725.

Mancini's music is typically Neapolitan. His works are full of the sudden and unpredictable harmonic shifts which made early 18th century Neapolitan music sound so dramatic. His works include 29 operas, his operatic style combining contrapuntal elements of the past with the new buffa style, 7 serenatas, 12 oratorios, more than 200 hundred secular cantatas in addition to assorted sacred music and a small amount of instrumental music.

Perhaps best known for his recorder sonatas, Mancini’s vocal works are greatly undervalued and show a concise and masterful style in miniature, influenced of course by his master Scarlatti, but displaying an individual inventiveness in melody and recitative structure.

James Sanderson
Easter, 2005

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Cantata à voce sola con violini
£5.95
Cantata à voce sola con violini
£5.95
Collection of cantatas for soprano
£9.95
Mancini: Se nascessero mille Amori
Forces: soprano, 2 violins & basso continuo

A really stunning example of the genre. In Aria - Recit - Aria and with some very lovely vocal lines, typical of Mancini at his best. It is the story of Eurillo and Clori and how the course of real love never runs smooth

Editor: James Sanderson

Cantata à voce sola con violini
£5.95
Mancini: Sotto l'ombra d'un faggio
Forces: soprano, violins & continuo

Beneath the beech tree this time is Dalindo in relective mood. He dwells on the pain of disdain and the 'soothing balsam of love'. In RARA format, the violins providing a ritornello in the first aria and an integral echoing role in the second siciliano aria.

Source: Münster Santini Sammlung HS 860

Range: e - b'' flat

Editor: James Sanderson

Cantata à voce sola con violini
£5.95
Sotto l'ombra d'un faggio (collection)
A collection of three settings of the 'Sotto l'ombre d'un mirth' text, by Mancini, Leo and Porpora. A fun collection with much to offer. 2 continuo cantatas and one with violins. See the individual cantatas for previews etc.

The young man, perhaps unlucky and unhappy Tirsi, finds himself once more beneath the shade of a beech tree lamenting the cruelty of his beloved Dorinda. 2 recit and aria form with some stylish vocal passage work in both arias.

Collection of cantatas for soprano
£9.95
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