Soprano

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Cantata à voce sola di soprano con flauto
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à soprano e basso con violini
£7.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano con flauto
£5.95
Cantata à voce sola di soprano
£4.95
Duetto da camera à soprano e contralto
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à due, soprano e contralto con violini
£7.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano con violini
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
A Bononcini: Idol mio bel tesoro
Forces: soprano, flute & continuo

Eyes like darts and a face that ensnares, how could he resist? A cantata with flauto from the lesser-known Bononcini, but by no means the lesser composer. Some stunning writing here in this ARA format cantata from a manuscript in the Naples Conservatorio library.

Editor: James Sanderson

Cantata à voce sola di soprano con flauto
£5.95
A Scarlatti: Agitato mio core
Forces: soprano & continuo

Dated on the first page as 'in Albano 1704'. Despite Eurilla's promise of fidelity her erstwhile beloved is nervous (small wonder with her track history) and his heart is all 'a-flutter'. RARA format with a particularly interesting format for the first aria Quietati.

Source: Münster Santini Sammlung Hs 3907(1)

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Amo, e negar nol posso
Forces: soprano & continuo

Dated on the first page as 'Decembre 1704'. A large work with three recits and arias, two of the arias being particularly exciting and the third a lovely Siciliano. The subject deals with the power of love, once again.

Source: Münster Santini Sammlung Hs 3907(4) There is also a possible attribution to Sarro

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Andate o miei sospiri
Forces: soprano & continuo

"Go, oh my sighs, to Irene's heart, May it know of my pains by you..." An intensely chromatic work with two versions of the final aria. In most sources dated 10 March, 1712 and was composed in response to a cantata by Francesco Gasparini based on the same text. The second version of the final aria aria here is from a later version with the subtitle: con idea inumana, in regolato cromatico, ma non è per ogni professore – the final aria itself is inscribed with the words: Altr'aria capriccio dell' Autore

Range: d - g'

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Bei Prati, freschi rivi
Forces: soprano & continuo

A beautiful cantata showing Scarlatti in great inventive mode. The theme is of love lost or gone away: death would be preferable, but even after death he is sure still to long for her. He calls Nature to witness his suffering, but only the merest echo comes back as a reply. RARA format, both arias complicated and chromatic and the recitatives full of harmonic twists and turns.

Source: Münster Santini Sammlung HS 3915(3)

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Bel Dorino, amata Clori
Forces: soprano, bass, violins & continuo

An unusual work from the collection of the Landesbibliotek Mecklenburg-Vorpommern, Mus. 4829. It is a love story between the two singers summed up by the final lines "...vivo sol per Clori/Dorino..."

The cantata is attributed to Alessandro Scarlatti in Grove, however Hanley was not sure and the style is unusual, no recits, but four duets with the central movement an harmonic mine-field.

Editor: James Sanderson

Cantata à soprano e basso con violini
£7.95
A Scarlatti: Che Sisifo infelice
Forces: soprano & continuo

The subject deals with that old favourite 'lontananza' or separation using the image of Sisyphus pushing rocks uphill to illustrate the hopelessness of the lover's cause. A cantata with much to recommend it, come great recitative and aria writing. RARA format.

Source: Münster Santini Samlung HS 3977

Range: d - f#'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Chi sà dove è la speranza
Forces: soprano, flute & continuo

Fillide is totally in love with Olindo and hopes that Cupid will support her love (she's not confident!) while he is away (lontananza). A lovely, simple example of a single line obligato accompaniment to soprano and continuo.

The source is Münster Santini Sammlung Hs 3975, provided by Sascha Mommertz. The cantata is simply inscribed Cantata a voce sola con flauto and there may be some question as to the attribution to A Scarlatti, although Hs 3975 contains a large number of cantatas ascribed to A Scarlatti.

Editor: James Sanderson

Cantata à voce sola di soprano con flauto
£5.95
A Scarlatti: Cinta dei più bei fiori
Forces: soprano & continuo

"Surrounded by so many beautiful flowers" and so much beautiful music. This is a substantial pastoral cantata (with an appearance by the faithless Clori) in RARARA format. Sinuous recitative and stunning arias!

Range: e - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Clori e Mirtillo
Forces: soprano, alto & continuo Source: Santini HS 3903

A totally charming duo cantata in which Love is neither insulted nor threatened! The lovers, Clori and Mirtillo, are actually happy AND in one another's company. This of course leads to quite a lot of music - two duets and an aria each, all linked with some excellent recitative.

Range (Clori): g - g'
Range (Mirtillo): c - c'

Editor: James Sanderson

Duetto da camera à soprano e contralto
£5.95
A Scarlatti: Deh' torna amico sonno (Il Sonno)
Forces: soprano & continuo

Here, dreams are the only escape from the pain of love. 'Oh come, oh merciful sleep...' In torturously complex recitatives and two characterful arias, Scarlatti shows himself once again to the be the master of the genre. From two sources in the Naples Conservatorii - Cantate 23 (7) and 255 (24) and dated September 22nd, 1716, this is a real gem.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Del lagrimoso lido (Euridice dall'inferno)
Forces: soprano & continuo

The Orfeo story as told by Euridice, who implores Orfeo to recover her from hell (Aria 1), then addresses the Furies in the dramatic 2nd Aria with contrasting B section. The text of Aria 3 expresses cautious optimism, but the music undermines this with a fragmented coloratura in f# minor. Powerful recitatives and contrasted arias (b minor, F major, f# minor) make this a strong character portrayal. The edition gives Scarlatti's two settings of Aria 1 - the first a chromatic ground bass, the 'other way' a more modern cantabile aria, both capturing the pathos of Euridice.

Range - e'-a''

Form: R-A-R-A-R-A

Editor: Rosalind Halton

Cantata à voce sola di soprano
£5.95
A Scarlatti: Del' Tirreno à le sponde
Forces: soprano & continuo

Source: BL Add MS 14211 ff 58r - 64r

This sad, pastoral cantata sees our hero Fileno languishing for lost love (of Clori of course) on the banks of the Tyrrhenian Sea - the scene of many a fevered brow! In double recit-aria format, both arias andante but vastly different. Some excellent changes from secco recit into arioso.

Range: e - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Della spietata Irene
Forces: soprano & continuo

Why do these men keep coming back for more? This perfidious Irene can kill with a glance, has Cupid on her side and just doesn't care! One of Scarlatti's more chromatic offerings in RARA format, both arias full of peno.

Range d - f'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Dove fuggi, ò bella Clori?
Forces: soprano, alto, violins & continuo

A virtuoso duet cantata for soprano and alto with strings, a mini-opera with wit, pathos, and brilliance. Lidio is in hot pursuit of Clori - but she scorns love and all his protestations, until in the final duet they join in praise of the joys and pains of love. Published by kind permission of the Diözesan-Bibliothek, Münster.

Range Clori: d'-g''
Range Lidio: b-c''

Editor: Rosalind Halton

Cantata à due, soprano e contralto con violini
£7.95
A Scarlatti: E come, oh Dio
Forces: soprano & continuo

[ca.1697/8]

Remarkable, dramatic recitatives, female narrator, theme of jealousy caused by separation; range: d'- g

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Era giunta quell' ora
Forces: soprano & continuo

Dated on the first page as '29 Novembre 1704'. Our protagonist has given in to the power of love and once more Fileno will be in Clori's arms. Her breast has far more allure than anything else! RARA format with two rapid-fire arias including an excellent Minuet.

Source: Münster Santini Sammlung Hs 3907(6)

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Fileno, quel Fileno
Forces: soprano, violins & continuo

The work consists of the two recitative-two aria structure, with each aria accompanied by unison violins, and in the keys of B minor and G major respectively. The attribution is added in what is apparently the same hand providing the attribution and date to a number of cantata and serenata manuscripts in the Santini Collection, including Filli che fra gl'orrori, dated 1706.

In the beautiful kingdom of love there is hope only when faith reigns in a heart.

Vocal range: e’-g’’

Editor: Rosalind Halton

Cantata à voce sola di soprano con violini
£4.95
A Scarlatti: Fille, Fille, dolente Fille
Forces: soprano & continuo

As the title suggests, Fille is sad...but, disturbingly, she likes the treatment she is getting from Tirsi: 'I will enjoy my pains, because I adore the chains...' Disturbing! A wonderful cantata in RARA format, Scarlatti at his most harmonically adventurous.

Source: Naples, Cantate 266

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Fille, mia cara Fille
Forces: soprano & continuo

A wonderfully chromatic work from 1704 (November 4th), the chromaticism expressing the tortures of loving such an unfaithful woman as Fille (the usual). Long, complex recitatives and two very contrasting arias.

Range: d - f#'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
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