Mancini: Caro, s'io moro almeno

Aria with notated ornamentation
Forces: soprano & continuo

This comes from a manuscript in Lbl, the work of Roman copyist Tarquinio Lanciani (who copied works of Handel, A. Scarlatti, and Caldara). It provides a fascinating glimpse into ornamentation patterns familiar to early 18th century musicians.

Editor: Rosalind Halton

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